And old friend with whom I studied Communications Design years ago.
Reminding us not to forget narative in a digital open plot age.
final BUG is an informal network of film makers and post production specialists based in Berlin
The Bristol Editors meeting at the watershed in Bristol. FCP X and workflow. No longer hacked to hardware. Why did Apple change. FCP 7 being 12 year old cut. 64 bit architecture etc. Grand Central Dispatch in conjunction with 64 bit and all Ram on the system. HD and 2K with a powerful system with multiple codecs on a time line. Through pretty much anything at it and it will play. FCP X will simply render to Pro Res 422 with out even having to think. Applications and going the XML route to other applications. Go to Da Vinci dissolve. AJA, Black Magic and Matrox offer video output options Excellent FCP X run through. Particularly good for beginners. The Bristol Editors Site : http://wefcpug.blogspot.de/ Thanks to Philip Ashby. Not quite sure why the domain has a .de at the end which usually means germany!!!
Re Vision effects have ported Twixtor to FCP X. Twixtor is regarded by many in the industry as the best speed tool for FCP period.
http://staging.revisionfx.com/products/twixtor/overview/
Below is a very cool comparision. Twixtor & Optical Flow.
...Before taking the FCP X plunge it is a good idea to check and see if FCP X will ingest material from your camera.
Here is a list of Cameras that are currently supported!
http://help.apple.com/finalcutpro/cameras/en/index.html
Up until very recently Canon Cameras such as the EOS C300 were not supported!
Now there are 2 options out there. First off, a third party solution.
http://pika.dk/?p=406
From their site :
"So, is this the Holy Grail? The ultimate tool? Nope. Does it work? Absolutely yes. And it’s fast as well. Oh, and did I mention, NO transcoding. Basically, I am rewrapping the original mpeg2 stream in a .mov container that FCPX will play nice with – after which you can have FCPX transcode it if needed. But you have your original yuv422p/50Mbps footage going straight into the belly of FCPX – yummy yummy ;-) It’s all possible only due to the brilliant work of the guys doing the whole FFmpeg open source project. So yeah, don’t thank me – thank them… they did the hard work; my little utility is simply wrapping it in a nice UI that will enable it to be used in a decent workflow for us happy XF100 owners ;-)"
And a solution from Canon
Note the Canon solution is for Lion only although there is a workaround to get it to work on Leopard.
http://fcp.co/forum/4-final-cut-pro-x-fcpx/4380-canon-mxf-import-plugin-is-finally-available#4381
Storage is the last post frontier in a sense because if you think of the big players they will spend significantly more on there storage than o the editing software as such.
Imagine 10 mac mini lined up all digesting material simultaneously for a film and then editing. This was possible with FCP 7.
One of the mission critical question now is how committed is Apple to getting shared network workflows like this work with FCP X. Because imagine that you had 100 or even 1000 edit systems. The whole sharing thing becomes more and more interesting.
White paper: http://images.apple.com/finalcutpro/docs/Final_Cut_Pro_X_Xsan_Best_Practices.pdf
More over at Xsanity
http://www.xsanity.com/article.php/2012021022090515
Note : This white paper relates to feature that were introduced to FCP 1.0.1.
The Motion Template Tool allows to install custom Motion Templates for FCPX in an easy way. This tool is helpful for both developers and users. It provides a simple hassle free way to install custom templates, change some installation settings and make backups of the template installations.
One also can create disk images for backup and/or distribution. The Motion Template Tool is free of charge as long as you use it for distribution of free Motion Templates or for backup purposes. A donation though is appreciated. You freely can distribute or host the installer disk image for free Motion Templates as long the license agreement is supplied and the application is not modified.
To learn about the app you can download the manual here: Manual
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Talks about Disruptive Technology. Game changers such as DVCAM, RED and their Digital Cinema Camera, Solid State Technology and of course last but no means least Final Cut X. People scream for change and cry when they get too much change too soon! He runs through all the stuff his production house are using. FCP 7 and FCP X, Resolve, Smoke and Adobe.
Does an overview of editing systems that have come and gone. Looks at the changing post production hardware landscape. Shift from sheer CPU power to the growing importance of video cards and open CL. The shift to 64 bit. And of course RAM taking advantage of more than 4GB now that most things are 64 bit.
...
The Edit Bay - an unexpected journey from FreshDV on Vimeo.
Here is a wonderful round up of pretty much everything you need to know from NAB. The video is presented from a guy called Shane Ross. Shane is a long time contributor to forums such as the LAFCPUG and Creative Cow. He has a wonderful tongue in cheek approach to the whole post production landscape. Well worth investing 7 minutes of your time. Topics covered include, Apple, Avid, Adobe and Autodesk (Smoke 2012.) amd of course AJA and Black Magic.
After a wave of revolutions in the world of Print, DTP, Music, Digital Cinema Cameras and Video Post Production the unthinkably is on the verge of happening. The oligopoly world of Digital Cinema Projection is beginning to look threatened.
Digital Cinema Projection has long been the exclusive domain of big players such as Christies Digital Systems (USA), Barco (ASIA) and NEC (Relativly new) who have all licensed DLP Cinema technology from Texas Instruments. And lets not forget the other technology which is made by Sony and is labeled SXRD.
...If you have been reading some of the other articles on this blog maybe you need a break from all this geekery ;-) Why not feed your brain with the following videos from the NAB! The March 2012 Editors' Lounge was the 9th year of our annual NAB discussion panel and featured guest speakers Steve Cohen, Terence Curren, Michael Kammes and, Mark Raudonis. Debra Kaufman moderated a lively discussion on post-production trends and predictions for NAB 2012.
PreNAB Editors' Lounge 2012 Part 1 of 4 from Editors' Lounge on Vimeo.
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New Converts from the usual suspects Blackmagic design and AJA. Both companies have field and studio versions of there converter boxes. Also look out for driver updates also from Matrox for all those Matrox users out there.
From Blackmagic
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Everything is a Remix Part 2 from Kirby Ferguson on Vimeo.
We posted this guy before. This is part two of a four part series.
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Walter Murch talking about every thing from meta to rats and rectangles!
Well worth sticking it out to the end. Is a long clip....
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Kurt Vonnegut, Jr., (November 11, 1922 – April 11, 2007) was an American writer of the 20th century. He wrote such works as Cat's Cradle (1963), Slaughterhouse-Five (1969), and Breakfast of Champions (1973) blending satire, gallows humor, and science fiction. Amazing insight into story telling more relevant than ever!
And old friend with whom I studied Communications Design years ago.
Reminding us not to forget narative in a digital open plot age.
eg the 25,000€ mentioned the post below!
Wally Wood´s 22 panels that always work.
In the first week of May, Munich is always host to the newest doc highlights from all over the world, many premiere screenings, real classics and exciting workshop projects.
93 films from 38 countries will be shown in seven cinemas.
DOK.international
The classic competition for internationally renowned productions, which has sparked worldwide sensation and interest. The films in this section are nominated for the Documentary:Filmaward:2011 of the Bayerischer Rundfunk and Telepool GmbH (10.000 EUR).
DOK.deutsch
A new competition for German language competition films that thematically and geographically address fascinating regional themes. The films in this section are nominated for the BLM Film Award 2011 of the Bavarian Authority for Private Broadcasting (5,000 EUR).
DOK.horizonte
The competition is for films from developing and emerging countries, which were made under difficult political or financial situations and are committed to promoting human rights, social justice, and sustainable development.
These films are nominated for the festival's Horizons Award (3.000 EUR). ARTE is the sponsor of DOK.horizons.
DOK.panorama(formerly DOK.forum)
The section for international productions that everyone should see. An assortment of current and innovative documentaries from around the world.
DOK.fest 2011 presents in its section, DOK.guest, films from various lands of the Balkans. How does this muti-ethnic region look after the great changes that took place in the nineties? The selection of films from and about this multiethnical region offers a multi-layered insight into life, beyond the headlines.
DOK.education
The young generation lies especially close to our hearts. This special section offers school screenings which aim to tackle themes relevant to young people and to promote media literacy. DOK.education also offers practical workshops and two special screenings for the youth.
DOK.retro
A unique bonus program containing a selection of Klaus Wildenhahn's most significant films. He interpreted the direct cinema in his very own way and established it in Germany. Whereby he focused not only at international artists but equally he is interested in the "small mans world".
Munich Premieres
A platform for both established filmmakers and talented newcomers from Munich.
DOK.special
One-off special screenings with surrounding programmes: In Memoriam Juliane Schuhler with AUFBRUCH UND ABSCHIED: DREI FRAUEN IN ALBANIEN and UND WIR SIND NICHT DIE EINZIGEN by Christoph Röhl.
mimikri media Talent Award
Awarded by the subtitle network mimikri media: the best German new talent production will have their next film subtitled in order to support its participation in international festivals.
DOK.tour
The festival on tour. Four films selected from the programme will go on tour all around the surroundings of munich during the festival, from friday till sunday.
FFF-Documentary-Talent Award
The "Achtung Berlin" festival consists mostly of German Premieres so it’s an ideal opportunity to catch up with what´s going on with German cinema. A large number of the films are also presented with English subtitles. Any german film that has a Berlin Production company involved is qualified to compete.
Achtung berlin: new berlin film award is a competition festival of German films made in the Berlin-Brandenburg Area.
The film festival takes place between April 13th and the 20th the 7th edition of this festival will take place at the Kino International, Kino Babylon, Filmtheater am Friedrichshain and Passage Neukölln.
...The Berlin Turkish film week. A week in which Turkish people get to look at them selves in the mirror questioning there identity. For a good write up of what it is about go here.
Offical Site is here
...
In terms of thematic focal points and forms of presentation, the Berlinale situates itself at the meeting point of the available and the possible. This fundamental openness for new ideas and solutions, for unconventional formats and surprising lateral connections also finds expression in ongoing initiatives that are permanently embedded in the festival. Such as the Berlinale Co-Production Market, which, associated to the European Film Market, provides fruitful territory for international co-productions; or the World Cinema Fund (WCF), a joint initiative with the German Federal Cultural Foundation. The idea and aim of this support mechanism is the realisation of film projects in structurally disadvantaged countries and strengthening their position in the international film industry. The Fund’s activities continue throughout the year and therefore stretch far beyond the festival itself.
In the first week of February, Berlin's House of World Cultures will play host to transmediale.11 RESPONSE:ABILITY! Presenting a dynamic programme of cutting edge artworks, breathtaking live performances and leading thinkers from around the world transmediale.11 addresses the ways in which our digital culture is radically redefining our physical presence and the ways in which we interact as interdependent global communities. By looking at the emergent forms of bio-political, economic and affective dimensions of a society increasingly manifesting itself live and online transmediale.11 reaches beyond the Web 2.0 era, examining the Internet in terms of the abilities and potentials available to its users, not only to participate but to actively shape it as contemporary society's central zone of inquiry, creative and cultural development - while pushing the urgent need to defend it from restrictive political and legal intervention.
Manifested through open studios, challenging workshops and temporary project offices run by leading artists and international experts from the open technology and creative sectors such as Kelly Sutton, Heath Bunting, Mushon Zer-Aviv, Elizabeth Stark, Peter Sunde, MODD_R and the Open Design City transmediale probes and expands our abilities to respond to the volatility and constant flux of digital life. Helping along the way will be Angel_F, the digitally conceived spyware entity born through the technological-sensual relationship between Biodoll and Derrick de Kerckhove.
Joining the BODY:RESPONSE conference renowned speakers, researchers and activists such as BIFO / Franco Berardi, Maurizio Lazzarato, Tim Etchells, Jordan Crandall, Mark Hansen, Carolyn Guertin and Paul Vanouse will be leading a debate into the ways in which we as physical autonomous entities, challenged by the redefinitions of space and an increasing "dematerialisation" through our digital presence ultimately experience space, reality and our digitally extended being.
Daily screenings of curated film and video programmes and a special Sunday matinee featuring an early example of affective cinema, join the week-long programme of inspiring talks, performances, actions and installations by internationally celebrated artists including Les Liens Invisibles, Heather Kelley, Daito Manabe, Ursula Endlicher, ubermorgen.com, Christin Lahr, Evan Roth and the HONF collective from Indonesia. At Test Signals, organised by the trans-national non-profit Sourcefabric, radio-makers and activists will come together in panels and workshops to discuss the future of radio in the digital age.
Invitation to Pinnacle Studio HD Roadshow
...A Network for film makers and actors. With Gerald Golisch from Apple doing a presentation. Prises and stalls with info on various film related topics. http://club.berlinerfilmforum.de/
There are 2 free workshops here in Berlin this month. Both covering Final Cut Pro. Monday, 26.04.10, in the Berlin-Steglitz Cyber Port Store Friday, 30.04.10, im Winter's Hotel Berlin-Mitte There will be an expert from Apple who will answer questions and there are special offers. Click on the above links to register :-)
Introduction to the functionality of Final cut Pro and Final Cut Server. See demonstrations of recent projects from leading post-production specialists. From Hollywood studios to TV Station content. Live demonstrations of Final Cut Server and how it works with Final Cut Pro. Reservation is required. 05th June 2008 See following link http://www.apple.com/de/finalcutstudio/tour/
We are back at the ADK in TIERGARTEN in the "Club Raum"
http://www.adk.de/de/orientierung/
The ADK has been renovated and should look better than ever.
...We are proud to announce that we are once again back at the ADK in TIERGARTEN.
http://www.adk.de/de/orientierung/Hanseatenweg/
The ADK has been renovated and should look better than ever.
Paul Murray will be doing a one man show!
http://paurray.de/
Tackling the following topics
1) The all new user group Site!
2) Back ground information for FCP X and progress with respect to third party developers
3) A report over a project in progress in FCP X
4) Uwe Ziegenhagen will also be presenting a couple of highlight from the ADK archieve!
If you have never been to one of our meetings. Please feel very welcome.
You can find us out back in the Club Room.
Back at the ADK in Tiergarten Wednesday October 5th from 1830 onwards

Another first for the final (B)erlin (U)ser (G)roup here in Germany.
To the best of our knowledge this is the first public presentation of FCP X on german soil!
So it has been essentially 4 years since we had a substantial Final Cut Pro Update!
Now Cinema Tools, Color, DVD Studio Pro and Sound Track Pro have all been discontinued over night! Not to mention the step brother Final Cut Server!

We are at Bilgi interface in Berlin Kreuzberg until the renovations are finished at the ADK.
...People who follow this Blog regularly will have noticed a lot of stuff about lightworks. Here is some background information. It is a hard one to pin down. Because it is not being sold as such. Rather given away! And not by some start up company in a garage some where in California rather by a rather large global player called Edit Share.
To understand the story we have to go back to the film editing table and the advent of the first digital non linear systems. Film editing tables were simple. You had rolls of film a screen and a lever a little like an accelerator in a car. The difference being that you could go forwards and backwards with out changing gear. And this insignificant little fact is probably the key to the whole story. Push forwards go forward and pull backwards and go backwards. OK you had to put on the white gloves and pull the film out of the machine, stick it together and push it all back in. Ask any young graduate of one of these media schools that are popping up all over the place what a bin is and they will look at you perplexed!
So along came the first non linear edit systems. The CMX 600
...http://www.lightworksbeta.com/
From the Lighworks site. "Back in April 2010, we announced our plans to take Lightworks open source and the first stage in doing that was to make the application freely available. So we are very pleased to reach this first stage and offer a free download of the most intuitive and advanced editor available. Lightworks is an Academy and Emmy award winning professional-grade editor with over 20 years of history in the film and broadcast industry. Having cut hundreds of films such as Pulp Fiction, The Departed, Centurion and Shutter Island, it includes a full feature set of editorial tools, from advanced trimming and media management, through to stereoscopic support and realtime effects including multiple secondary colour correctors. Lightworks has an advanced effects pipeline, utilizing the power of your GPU. And with support for up to 2K workflows with realtime effects, it is the most advanced editing application available."
This one is huge. One of the original and best editing systems of all time is becoming open source! Which means that people get the code and get to develop stuff. Details slightly hazy at present but it looks as if developers then sell back to Edit Share. http://www.editshare.com/index.php?option=com_content&task=view&id=164&Itemid=160 http://www.editshare.com/index.php?option=com_content&task=view&id=155&Itemid=203 http://en.wikipedia.org/wiki/Lightworks Lightworks is an all time classics with respect to editing systems. Rock solid editing for the masses! Might just give some of the big players food for thought. Mind bogeling list of features and supported formats :-)
Cory Doctorow with a really nice concise history of copyright wars.
Really impressive is the comparison of Studios producing 30 hours of programming a year whilst the same amount of content is generated on You Tube every minute! Scary to think that the big 5 Studios seriously argue that shutting down You Tube would be a good idea. The reasoning being that it is simply impossible to police! How square is that.
...Peter from the Open Rights Group sez, "In 2009 a Directive aimed at extending the term of copyright protection for sound recordings from 50 to 70 years, which flies in the face of all the credible evidence, passed the European Parliament. This week, the plans are back in front of the European Council and may soon become law. But there's a chance we can stop this if we make enough noise. We need people to write to their MEPs and ask them to oppose these plans and make sure the Directive gets properly debated."
I've just written to my MEPs and I'll be calling them tomorrow. We need people from across Europe to do the same if we're going to stop this. There's no credible reason to extend the copyright on works that have already been made; historically this has not enriched artists (there are vanishingly few recordings that are still commercially viable after 50 years), but it has stopped preservationists, fans, and remixers from re-issuing or re-using all those recordings, often to the point where all known copies of the works degrade and disappear.
But isn't making sure artists continue to be paid a good thing?
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Everything is a Remix Part 1 from Kirby Ferguson on Vimeo.
Kirby Ferguson tells us what we already know "Remixing is a folk art but the techniques involved — collecting material, combining it, transforming it — are the same ones used at any level of creation. You could even say that everything is a remix. To support this series please visit everythingisaremix.info/?page_id=14
...There are piles of video tutorials out there with hot tips on how (not) to become Master of the Media Universe. This one is really nice because it approaches things the other way around! It is basically a list of most of the beginners mistakes that people make with Final Cut Pro. So if you haven´t got a clue about FCP maybe you should start here. And if you are a seasoned veteran it should also bring a smile to your face! From Rob, Todd_Kopriva,@ http://www.lovelyjunkie.com/
FCP Quick Tips - episode #183 from Rob Imbs on Vimeo.
“To promote Creative Commons licensed music and the musicians behind it, Musikpiraten e.V. launches this year once again the Free! Music! Contest. Last year we had about 60 submissions, this year our goal is 150! Until the end of July, musicians and bands who are releasing their music under a Creative Commons license, can register for the contest. Until August 22th there will be an additional remix-phase: the participating artists are invited to submit single stems or acapellas in addition to the individual songs. By submitting individual tracks or the submission of music videos, the chance to be added onto the sampler that will be a result of the contest, will be increased – if only just a little bit.” Christian sez
DaVinci Resolve also Resolve Light
Black Magic are going all out with Davinci Resolve 8, with XML capabilities
and support for more graphic cards.
...Business TV will be hosting an information day with experienced DaVinci Resolve operators. We will schedule one-on-one sessions during the day, and in the evening we will have two presentations on the big screen, and a social event afterwards, in cooperation with the G4K group for Digital Cinema.
DaVinci Resolve 7.0 Interface
Agenda for Demo Day on Nov 09 :
The DaVinci EMEA Roadshow 2010 provides the opportunity for you to see Resolve on Linux with the new Resolve Control Surface, Resolve on Mac operated with third party low-cost control panels and DaVinci Revival’s amazing film restoration tools.
Come and see DaVinci products in key European cities and meet colorists, product professionals and local DaVinci resellers.
Let me come clean here. I worked for a large Start Up Internet Video Company here in Berlin over 3 years ago. At one point we had something like 10 Senior Editors and another 30 or so, Junior and Toddler editors. Not to mention the 5 edit managers! All sitting in a huge room with headphones and iMacs. A little bit like in a battery egg hen farm.
So you didn´t make it to the WWDC (World Wide Developers Conference) keynote presentation.
You didn´t follow the live tweeting and you never got around to ploughing through the Apple Site for all the latest on iCloud!
Don´t worry, you can catch up on all the newest trends in the form of a Musical. Yes that´s right a musical!
You Tube offer Creative Commons Option
from the You Tube Site
"YouTube just made an incredibly exciting announcement: it’s testing an option that gives video owners the ability to allow downloads and share their work under Creative Commons licenses. The test is being launched with a handful of partners, including Stanford, Duke, UC Berkeley, UCLA, and UCTV.
Beware of a piece of software that declares itself as being YOUR antivirus program!
Sees lots of viruses and tricks you in a worst case scenario into paying money for a program to kill imaginary viruses.
Mac User beware!
Not directly FCP related but what with Sony also being active in the post production industry. Sony has suffered a number of embarrassing security set backs. What with user passwords being stolen and now LulzSec has hacked the Site argumenting that it was a piece of cake and that Sony deserved being hacked because they were effectively asking for it! Or a kind of backlash for Sony putting root-kits on customers PC?
Red Giant make a huge range of excellent Plugins for FCP, AE and Premiere Pro.
Plugins such as Colorista and Magic Bullet are legends in the industry.
Colorista is now in it´s second reincarnation! Which is surprise surprise called Colorista 2.
And now Red Giant are giving away Colorista Free.
Look in the rear view mirror and we have videos such as the one below. Telling us of the amazing synergy between creativity and cutting edge technology. Giving us complete control over the creative process and supporting us in our story telling. All with the aid of Final Cut Studio.Topped off with lashings of marketing spin, HD and Hollywood!
"Some of you have seen the so called “film burn” (or sometimes called film flash) on different creative pieces. The look typically comes from the misfeed of film through the camera gate behind the lens of a film camera, creating a beautiful but unintended look of red and yellowish hues on the negative and the print. Because of it’s associated look with film it has become a desired stylized look in video. You can pay a lot of ca$h for this look in the form of a plugin or as stock footage. You can pay as much as $199 for a single NTSC clip from Artbeats or $499 for the collection. See it here. But here at digital cinema foundry you get it today for free!" From the Digital Cinema Foundry Site.
For some strange reason people will always try to get there pristine or not so pristine looking digital pictures to look like mishandled film material!!!
http://www.digitalcinemafoundry.com/2010/02/19/free-film-burns-exclusively-here/
...A final cut pro tutorial that will teach you how to convert a day filmed scene or shot into an evening or night look. Normally this is done with a filter. This technique is called "Nuit Americaine", but you can also do it in post production.
This tutorial is given by Jordy Vandeput from YapperDesign.com
Final Cut Pro Tutorial - Day for Night from Jordy Vandeput on Vimeo.
...So what with FCP X and all the buzz, there will be a lot of people looking at switching.
FCP X is so cheap that I can imagine a lot of Avid users buying it just to try it out.
And now FCP users save 60% if they buy Avid.
...Another nail in the coffin of computers as we know them!!! Or another break through for the touch screen revolution. Depending on how you want to look at it.
Last month we had Avid Studio for the iPad. Now we have one of the old post production staples. Photoshop Touch for the iPad! Almost sounds like an invention from Apple. Obviously it is only a matter of time till we have FCP X for the iPad!
On a side note when you read the license agreements for Adobe they do mention that they can "change or discontinuation without notice" Does this mean that they can pull the plug in the middle of a project. Our tool goes dead? How do we reanimate our project? So here is the official line....
...
Join the FCPUG Network, including Final Cut Pro and digital video user groups from within the US, Europe and the world over in Amsterdam for the largest gathering of FCP, Avid and Adobe editors, HDSLR filmmakers and digital content creators and Gurus during IBC 2011! Enjoy a few cocktails to network and party with industry peers while learning latest trends in collaborative editing workflows! See the latest update on FINAL CUT PRO X
Join the FCPUG Network, including BOSFCPUG, LAFCPUG, UK, Germany, Hungary, Russia, Belgium, France and other FCPUG and digital video user groups around the Globe in Amsterdam for the largest gathering of FCP, Avid and Adobe editors, HDSLR filmmakers and digital content creators and Gurus during IBC 2010!
* Where? – The Grand Hotel Krasnapolsky
Dam 9. 1012 JS Amsterdam (The Netherlands)
Click HERE for map.
* Where? - The Grand Hotel Krasnapolsky Dam 9. 1012 JS Amsterdam (The Netherlands) Click HERE for map. * When? - Sunday 13.9.2009 - 19:00 - 23:00 (Doors open 17:00) * How Much? - €15.00 each. €10.50 for Students with Valid I.D. (€20.00 at door) Includes 2 raffle tickets per person. Tickets go on sale 20.7.2009 * Any raffle prizes? - Of course. €2.00 per raffle ticket or 3 for €5.00 * Who should attend? - Everyone who wants to learn more about Final Cut Studio, digital filmmaking and meet others who may know more than you do. * Food and Drink? - Food (free) and Cash Bars will be available. * What is on the Agenda? - It is SuperSecret. More Details here http://www.lafcpug.org/Amsterdam_2009.html
The First Annual London FCPUG Super Meet One of the Final Cut Highlights of the year. Meet lots of interesting people and learn some thing new A warm welcome to Mr Michael Horton and our friends from all around the world :-) http://www.lafcpug.org/UK_2009